#Stories


 

#AllStarMixTricks | Mirek Stiles

Head of Audio Products at Abbey Road Studios Mirek Stiles expresses the paramount importance of experimentation in music production.
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Meet the Panelists: Igor Maxymenko | AES Convention 2022 | Is Remote Collaboration The Future of Music Production?

Introducing Audiomovers co-founder Igor Maxymenko.
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Real Groove: The Princess of Pop’s plunge into remote recording

Grammy-nominated songwriter, producer and mix engineer Nico Stadi shares the story of Kylie Minogue’s escapade into the world of remote recording for her 15th studio album ‘Disco’. 
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Tracking guitars remotely with LISTENTO

We caught up with songwriter and producer Jack Leonard (UNKLE, Baby Queen, Foxes) and Matthew Genovese to uncover their process for tracking guitars remotely using a combination of Zoom and Audiomovers’ LISTENTO.
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The gear behind Abbey Road Studios: REDD.17 DESK

We continue our new series with a look into one of EMI's greatest designs: the REDD.17. The first in a powerful series of valve mixing desks, EMI engineers Peter Burkowitz and Lenn Page revealed the REDD.17 in 1958. It was EMI’s first console to appear in desk form. Renowned for their smooth EQ curves, extraordinary warmth and lush stereo imagery, there’s something magical about the REDD desks that sound like no other consoles. 
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How Grammy & Latin Grammy award-winning Engineer created two Elvis Costello albums completely remotely

Berklee graduate and Grammy & Latin Grammy award-winning Engineer Vago Galindo takes us into the entire remote creation process for Elvis Costello’s albums ‘The Boy Named If’ and ‘The Resurrection of Rust’, touching upon the importance of education for aspiring producers and his time in the film and voiceover industries.
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The gear behind Abbey Road Studios: Artificial Double Tracking

Abbey Road Studios has always been at the forefront of innovation. We’re thrilled to now be part of this incredible story and together help continue pioneering the way for the future of music technology. As part of our new series, we are delving into some of the ground-breaking innovations created at Abbey Road - and give you an insight into the stories behind them. This week, it’s the legendary Ken Townsend’s very own Artificial Double Tracking.
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Amber Ryann & Zach Golden on finding their sound remotely

Emerging artist, producer and content creator Amber Ryann & producer and multi-instrumentalist Zach Golden tell their story of developing Amber’s sound remotely during the pandemic.
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LYRE MUSIC on collaborating remotely with songwriters and producers

K-pop songwriter, 1/2 of ‘LYRE MUSIC GROUP’ and record producer Alina Smith outlines how she collaborates with other songwriters and producers across the world using a combination of Zoom and the LISTENTO plugin. 
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How the legendary super-duo Jam & Lewis finally created their debut solo album

With a 35-year legacy built on writing and producing some of the biggest ’80s hits and kickstarting the career of Janet Jackson, ex-members of The Time, Jimmy Jam and Terry Lewis discuss their exploration of new sounds and technologies for the creation of what is incredibly their debut album  ‘Jam & Lewis: Volume One’.
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How we remotely mixed YA’BOYZ – ‘Stomp Your Boots’

Grammy Award-winning recording and mixing engineer Ariel Borujow (Mac Miller, T.I, Kanye West) and songwriter/producer Nick Zinnanti give us a step-by-step breakdown of their remote mix for country-duo YA’BOYZ debut single ‘Stomp Your Boots’.
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‘Diamond In The Desert’: creating a world with Audiomovers’ LISTENTO

With their professional relationship spanning over ten years, Grammy-nominated songwriter, producer, mixer, and engineer Nico Stadi and singer-songwriter Sidibe tell the story of how they created the ‘Diamond In Desert’ EP remotely, whilst she was in the desert and he was in LA. 
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Remote reinvention: how new methods helped Elbow relocate their mojo

Rock band Elbow discuss how they used the process for their ninth studio album to experiment with new recording and songwriting methods.
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"The Burna Boy album just couldn't have happened without Audiomovers."

Jesse Ray Ernster, Mix Engineer (Doja Cat, Burna Boy)

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How Future Islands are breaking the boundaries of remote collaboration with LISTENTO

The frontman of the Baltimore-based quartet, Samuel T. Herring reminisced on the remote mixing process for the band’s 2020 album ‘As Long As You Are’ and how the band continues to use LISTENTO
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Bad Wolves: Writing riffs remotely with the LISTENTO app

Doc Coyle; the guitarist for heavy-metal quintet Bad Wolves, opened up about how he was able to have virtual songwriting sessions with ex-guitarist Max Karon for their 2021 album ‘Dear Monsters.’
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The secrets behind remote mixing ‘Ski’ by Young Thug & Gunna with Bainz

Multi-platinum Mixer and Recording Engineer Bainz discloses how he was able to continue mixing 'Ski' by Young Thug & Gunna remotely, whilst away from his studio in LA.
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The plugins behind Sigala’s greatest hits

UK artist and producer Sigala gives us a glimpse behind the curtain, sharing the plugins used to create his greatest hits.
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The Darkness on how they nailed the vocal arrangement on their latest album ‘Motorheart’ using Audiomovers’ LISTENTO

Producer, guitarist and backing vocalist for The Darkness Dan Hawkins reveals how Audiomovers allowed the Hawkins brothers to finalise vocal arrangements on their silliest album to date.
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Recording vocals for Taylor Swift using Audiomovers LISTENTO

Did you know that Taylor Swift's vocals for Folklore were all recorded from her home in LA? Producer and co-writer Aaron Dessner reveals how.
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Post Human: Survival Horror – how Bring Me The Horizon wrote and recorded their EP remotely

Bring Me The Horizon frontman Oli Sykes recently shared the moment the band were inspired to write and record an entire EP without ever being in the same room using Audiomovers.
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How Nashville’s hitmakers are playing together and running virtual songwriting sessions

LISTENTO became a necessity for Nashville based songwriters during the pandemic. But how are they continuing to use the software for world-wide co-writes that were previously impossible? Find out here.
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Backstage with Phil Gornell

We caught up with producer, songwriter and mixer Phil Gornell to learn more about how he completed an entire album remotely, during the pandemic.
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How Val Kotler mixed Danny Sanderson’s Visible and Hidden entirely remotely with LISTENTO

14 live tracks, fully mixed in just three weeks? We had a call with Val Kotler to talk about how Audiomovers helped him achieve this incredible turnaround.
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