Did you know that LISTENTO allows you to transmit with either ACC, PCM, or most recently, the OPUS Codec?

Matt Genovese shares how his desire to build the skills necessary to better express himself in the worlds of music production and mixing.

Go-to mixer and engineer for Young Thug and Gunna breaks down his process in the final 10% of getting a mix ready for mastering.

Stem mastering engineer at Abbey Road Studios Oli Morgan shares the secret final test he uses to ensure his mixes are release ready, whilst also helping to keep his hearing in check.

Speaking from his home studio, Teezio shares his trick for keeping his ears on top during mixing sessions.

Alina Smith explains how she layers up her airy vocals to create unique pad sounds and melodies. 

A question many burgeoning sound engineers often wonder is “how do you become an Abbey Road engineer?” Abbey Road’s engineers are one of their most valuable assets, carrying with them a wealth of experience, passion and expertise. It takes many years of hard work and dedication to reach the standards of the legendary Abbey Road engineer, and is often claimed that it takes less time to become a brain surgeon. 

We are thrilled to announce that we are sponsoring Season Three of The Record Process. 

In 1947, artificial reverb as we know it today was born in a bathroom — Bill Putnam’s bathroom, to be exact. It provided an echo chamber effect for the Harmonicats’ recording of ‘Peg O’ My Heart’.

Grammy-nominated songwriter, producer and mix engineer Nico Stadi shares the story of Kylie Minogue’s escapade into the world of remote recording for her 15th studio album ‘Disco’.