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  • Introduction


    Remote Music Collaboration has increasingly become the norm for music production, as faster  internet speeds and digital tools have made it easier than ever for people to work together across long distances.


    It is crucial to prioritize using high-quality audio equipment and streaming technology when collaborating remotely, as it ensures the best possible results, optimum communication and time efficiency.


    Remote music collaboration can be a great way for musicians to work with each other  from different parts of the world, to explore new sounds and styles, and to create music in new and innovative ways. However, it can also present its own challenges around communication, technological difficulties, and potentially the lack of in-person interaction and creative energy. 


    Remote audio collaboration is made possible through a number of specialized software applications that use codecs to compress and transmit audio in real-time, allowing you access to stream audio content directly without it having to be hosted anywhere, some software applications may also support the use of uncompressed audio (PCM).


    With LISTENTO, you can stream HD audio from your PC or Mac to other devices in real-time, saving you from sending over files or bouncing out tracks. LISTENTO makes it easy for you and your collaborators to experience high-quality audio, with ease and precision.


    Start your free trial

    It’s important to maximize the quality of your audio when undertaking remote music collaborations for several reasons


    Communication:


    In remote music collaboration, the use of high-quality audio ensures that communication is clear, crisp and free of distortion, making it easier for collaborators to listen, comment and create in a more efficient manner. 


    Productivity:


    The use of poor quality audio can lead to delays and decreased productivity. High-quality audio ensures that collaborators can work together seamlessly, leading to increased productivity and a better end product. 


    Professionalism:


    When collaborating remotely, it is imperative that producers, engineers and any other audio professionals deliver the highest quality service possible, matching the level of service they would expect to achieve while working in-person. 


    Prioritizing the use of high-quality audio in remote music collaborations enhances the reputation of the individual or team and improves client relationships and satisfaction. 


    Technical Limitations:


    Remote music collaboration is heavily reliant on your bandwidth and processing power. By using LISTENTO you ensure that your audio is optimized for the available bandwidth and that it is delivered without dropouts, buffering or other technical issues. 



    Tackling audio quality issues while collaborating remotely 


    When collaborating remotely it is common to encounter audio quality issues. Here are four common audio quality issues that can arise when collaborating remotely with real-time audio.


    1. Latency, or delay in audio transmission, can cause audio to be out of sync with video or other audio, resulting in a disjointed and distracting experience for the listener. 

    1. Limited bandwidth can result in audio quality degradation, causing audio to sound overly compressed, distorted or tinny. 

    1. Audio dropouts, or gaps in audio transmission, can occur due to technical issues, resulting in missed words, phrases, or sections of music, making it difficult for collaborators to follow along in real-time. 


    Here are some practical tips for maximizing audio quality in remote music collaboration: 


    1. When using LISTENTO to stream audio, choose the correct audio codec and/or Bitrate:  Selecting the appropriate audio codec and bitrate is crucial for achieving dropout-free audio streaming. Set your bitrate to match the available bandwidth and network conditions. 

    1. Optimize Your Network Connection: A stable and fast network connection is essential for remote music collaboration. Use a wired connection to optimize your network settings to minimize latency and packet loss. 

    1. By using LISTENTO, you can stream the highest quality audio possible, all the while interacting with a unique, seamless and intuitive software application that maximizes real-time audio processing and encourages effective real-time collaboration. 

    1. Make sure LISTENTO is in the correct place in the chain – after any effects or compression you want/need to be audible.

    Start your free trial

    1. Monitor Your Audio in Real-time: Ensure your audio remains consistent throughout your stream. Check for distortion, drop-outs or other quality issues, and adjust as necessary to maintain optimal audio quality. Test your audio stream on headphones and your monitors and monitor your gain – don’t run in the red. 

    1. In most cases, it is more favored to prioritize a stable recording system that produces consistent and reliable results rather than a high bandwidth system that captures a wide range of frequencies that may introduce unwanted noise or distortion. 

    1. An ethernet cable instead of Wi-Fi is generally preferred in remote audio recording as it creates a stable and reliable connection. Wi-Fi signals can be affected by interference from other devices or signal strength and speed issues. In contrast, ethernet cables provide a more secure, reliable network connection with faster data transfer speeds and minimal signal loss. 

    1. Consider the acoustics of your room: Poor acoustics can negatively affect the quality of your stream and can cause unwanted echoes and reverberation, audio reflections that interfere with the clarity of the audio, background noises like moving traffic or electrical hums make it challenging to capture a clean sound, in turn creating a muddy, indistinct sound. 

    1. Using headphones during remote music collaboration is generally preferred as it will help improve audio quality, reduce background noise and create a more isolated, precise sound. 

    1. It is advisable to turn off video playback in other tabs or browsers while recording remotely as it minimizes the network bandwidth use and CPU resources, ensuring the highest possible quality audio and optimal network and computer performance. 

    1. When working on remote music collaborations, it is essential to use DI boxes or preamps between the instrument/mic and instrument/console as it can improve the quality and accuracy of the recording by matching impedance, providing additional signal amplification, reducing noise and interference, and allows for tone shaping. 

    By implementing these practical tips, you can maximize the quality of your remote music collaborations, providing your creative partners with an engaging, immersive experience, and high-quality audio experience. 



    How LISTENTO maximizes high audio quality in remote music collaboration


    LISTENTO offers lossless multichannel audio, up to 7.1.4 surround sound, and the ability to adjust latency and bit rate, as well as numerous security features to protect the integrity of the stream, LISTENTO provides the perfect remote audio streaming plugin.


    LISTENTO
    Streaming quality Transmit up to 32 bit PCM audio uncompressed (as well as lower bitrate PCM and AAC codecs) 
    Plug-in formatStream audio from VST / AU / AAX plug-in
    Anytime, anywhereRecord and receive via web browser / plug-in / phone app

    Here are some of the ways in which LISTENTO maximizes audio quality in remote music collaboration. 


    1. High-quality audio codes: LISTENTO uses Opus, a codec designed specifically for remote music collaboration which delivers high-quality at lower bitrates and is optimized for low-latency performance. 

    1. Adaptive bitrate streaming: LISTENTO uses adaptive bitrate streaming, which automatically adjusts the streaming bitrate based on network conditions and available bandwidth, ensuring a consistent and high-quality audio streaming experience for all participants. 

    1. Low-Latency Audio Processing: LISTENTO processes audio in real-time with a low-latency pipeline, which reduces delay and synchronization issues, allowing you to select your preferred latency settings, resulting in a more natural and immersive Remote Music Collaboration experience. 

    1. Network optimization: LISTENTO optimizes network settings to minimize packet loss and latency, which can cause audio dropouts and other quality issues. 

    1. Real-time audio monitoring: LISTENTO provides real-time audio monitoring tools, which allow users to monitor audio quality in real-time and make adjustments as necessary to maintain optimal audio quality. 

    By incorporating these features, LISTENTO maximizes audio quality, ensuring that remote audio collaborations are productive, efficient and enjoyable for all parties involved. 


    From music and podcast recordings, to film scores and various other remote recording projects, LISTENTO’s real-time streaming capabilities meet the high demands of audio professionals. 


    All you need to do is download the plugin for your PC and the mobile player for your phone, follow a few simple steps, and voilà, you can stream HD audio from your PC to a phone in real-time.


    Start your free trial

    Conclusion



    In conclusion, prioritizing high-quality audio during remote music collaborations is crucial for effective communication and productivity. Poor audio quality can lead to misunderstandings, frustration, and ultimately, a waste of time and resources. 


    LISTENTO is the go-to solution for high-quality audio during remote collaborations because it offers advanced noise cancellation, echo reduction, and crystal-clear audio transmission. Its user-friendly interface and compatibility with various devices make it a convenient and reliable choice for remote teams looking to optimize their communication and collaboration. 


    By prioritizing high-quality audio with LISTENTO, and by following the practical tips outlined above remote collaborators can ensure that their creative decisions are conveyed accurately, and their workflow is as seamless and efficient as it would be if recording in person. 




  • LISTENTO has become an increasingly important tool in education and remote learning, providing students and teachers with the ability to share high-quality audio in real-time, regardless of their geographic location. From music education to language learning to virtual conferences and presentations, Audiomovers has a wide range of applications in the educational space.


    While LISTENTO has become an audio industry standard and is being used by the world’s top producers, mixers and engineers every day, it is also increasingly being used in the field of education to facilitate remote learning and collaboration.


    Music schools like Berklee, The Abbey Road Institute and The New York School of Music all rely on Audiomovers as the go-to standard for sharing high-resolution audio in virtual classrooms and remote collaboration.


    LISTENTO allows students and educators to share high-quality audio in real-time, regardless of their geographic location. Students and educators can collaborate on music projects, podcast recordings, and other audio-based assignments without the need for expensive or specialized equipment. 


    Retailing at $16.67 per month, billed annually at $200 per year, with an added 15% discount of education institutions, making it an affordable and accessible solution for educators and students at all levels of education, and transforming the way students and educators work together to make remote learning more effective, engaging, and enjoyable.


    In a recent interview with Mix Online, Audiomovers’ Head of Product Igor Maxymenko shared his thoughts on how Audiomovers is revolutionizing audio in educational spaces. 


    Pictured: Igor Maxymenko Audiomovers’ Head of Product

    This year LISTENTO Standard Plus has been selected as a finalist for the 28th Annual NAMM Technical Excellence & Creativity (TEC) Awards in the category of Audio Education Technology. 


    Presented at The NAMM Show in April in Anaheim, California, the NAMM TEC Awards recognize the most outstanding products of the pro audio and sound recording industry, and the teams behind them. Audiomovers couldn’t be more pleased to have received this nomination. 


    The Audio Education Technology category includes any books, programs, software, hardware systems and devices that are intended to promote knowledge of audio and musical topics. Whether it’s being used for remote guitar lessons or teaching an entire class of music students, we’re thrilled to see such a large contingent of LISTENTO Standard Plus users utilizing LISTENTO for audio educational purposes.


    VOTE FOR LISTENTO



    How LISTENTO supports Education


    Remote Music Lessons 


    LISTENTO can be used to facilitate remote music lessons or rehearsals. Students and teachers can collaborate in real-time, sharing high-quality audio with low latency, allowing for a more engaging and immersive experience, as students can listen to their playing and the music of their peers in real time.


    Additionally, LISTENTO’s ability to stream high-quality audio over the internet ensures that students receive a consistent and accurate representation of their playing, regardless of their physical location.


    Educator and lead guitarist of heavy metal quintet Ice Nine Kills, Dan Sugarman explains how he uses the software to run virtual guitar lessons:  


    “Not being forced to only teach in your area was a luxury that Skype and Zoom somewhat afforded. However, the kicker with them was that there were always audio quality issues. For instance, you’d be trying to explain a really intense arpeggio idea, let’s say, but your mic is picking up sounds from around your room – and that’s just not helpful to hear during such a detailed type of lesson.” 


    Pictured: Dan Sugarman who runs all his remote guitar lessons through Audiomovers.

    Virtual Conferences and Presentations


    LISTENTO is also used to facilitate virtual conferences and presentations, allowing speakers to share high-quality audio with their audience, creating a seamless and engaging experience for the audience. 


    LISTENTO facilitates Q&A sessions, allowing audience members to ask questions in real-time and receive high-quality audio responses.


    Podcasting and Audio Storytelling


    LISTENTO is being used to facilitate remote podcasting and audio storytelling projects. Students can record and share high-quality audio files with their classmates and teachers, allowing for collaborative and creative projects. This helps students develop essential skills such as audio editing, scriptwriting, and storytelling, which are valuable in various fields.


    Remote Audio Production & Sound Design


    LISTENTO is also used in education for remote audio production and sound design. Students use Audiomovers to collaborate on audio projects, allowing them to work together in real-time, even in different locations. 





  • Building on a legacy of 91 years of groundbreaking technological advances at Abbey Road Studios – from the creation of stereo and recording techniques such as Artificial Double Tracking (ADT) to the blueprint for the modern recording console and more recently their music tech incubator Abbey Road Red – the studios has always been at the forefront of innovation.


    We at Audiomovers to be part of this incredible story and together help continue pioneering the way for the future of music technology. 


    To celebrate, we’ve been delving into some of the ground-breaking innovations created at Abbey Road. Watch the series in full and gain insight into the stories behind these history altering technological advancements.


    The King’s Microphone



    Redd 17



    EMI TG12410 Console



    The Neumann VMS Cutting Latches



    The RS124 Compressor



    EMT 140



    The TG12321 Compander



    EMI TG12345 Console





  • Introducing Audiomovers & Shakers – our new monthly playlist that houses some of the most iconic tracks made with LISTENTO.


    This genre bending playlist will have you moving and shaking in no time. Volume 1 includes recent releases from Kylie Minogue, Burna Boy, Future Islands and Elbow to name but a few.


    Click the link below to stream the full playlist, exclusively on Spotify.


    Stream Now




  • ‘If we’re not enjoying making it, you’re not going to enjoy listening to it’ – Jack Leonard


    We join songwriter, and producer Jack Leonard in his London studio as he talks us through his process when listening to mixes remotely.


    Watch to discover how he uses LISTENTO to give real-time feedback to his LA-based collaborator Matthew Genovese.



    WATCH FULL VIDEO




    TRANSCRIPT


    If we’re not enjoying making it, you’re not going to enjoy it listening to it.


    My name is Jack Leonard, and we are in my studio in London.


    So I’ll be working with Matt, he’s producer based out in LA.


    We’re at the next stage now he’s going to be sending me the LISTENTO link and so it’s like I’m in the room with him.


    We’re going to be going in and making some tweaks together to finish off the track.


    If you really feel like that guitar needs to come up. You really feel it in the moment and it’s like it has to come up if you have to send a load of emails to describe that it’s sort of just was it down?


    Makes the project just like quick and easy.




  • #DreamCollabs uncovers the reasons behind these collaborations and why it’s essential to dream big, whether meeting their childhood music heroes, working with an emerging artist that excites them or collaborating with an artist whose sound has influenced the creative choices these industry powerhouses make. 


    In the latest episode, we speak to legendary mixing engineer Teezio about his dream collaborations, from sharing career-changing opportunities with the acclaimed production duo Daytrip to collaborating on the art that surprises him. 


    Watch to discover who these #DreamCollabs are. Trust us, we can already tell these collaborations would be out of this world. 


    WATCH FULL VIDEO



    TRANSCRIPT


    “My dreams of my ideal session would be to work with –


    I’d want to work with the producers Daytrip who are very close friends of mine. They’re like the nicest guys ever.


    And I’d want them to do a record with Adele. And I’d want to be there and I’d want to cut Adele’s vocals and then I want to mix the record. That would be like n right?


    Now if you ask me what I want to do, because I really fuck with it. Do you guys know who Central Cee is? ‘How could I be homophobic? My bitch is gay.’


    Shit liked that. I was like, fuck who says shit like that?


    That’s the type of shit that I like stuff that catches me by surprise. I need to work with him. I want to come to my house and smoke weed with me. And I want to make a record for him.


    Just give me the song and let me do it. Like I want to be a part of it.“




  • Audiomovers are uncovering the biggest pinch-me-moments that the world’s most esteemed producers, engineers and mixers have experienced, from working with childhood heroes to winning Grammy Awards and No.1 Records, discover it all with #PinchYourself.


    In the latest episode, we are joined by the multi-platinum Grammy nominated mixing and recording engineer Bainz, as he recounts his trip to Jamaica to record Gunna’s album ‘Slime Language 2’.



    Slime Language is the debut collaborative compilation album by American record label YSL Records and American rapper Young Thug, who is the leader of the label.


    Watch the full video to discover why these sessions and the collaborators involved made Bainz pinch himself.


    WATCH FULL VIDEO



    TRANSCRIPT


    “There are so many of them man. There’s so many of them.


    Working on ‘Slime Language’, working on Gunna’s album in Jamaica.


    Sitting in between, we were recording a verse with Thug, Gunna, Future, Travis Scott, Offset – they’re all jumping on the same song and I’m the one person sitting in the middle of the room recording everyone.


    All these huge personalities around and everyone’s on a first name basis with me, really cool with me, it’s just I don’t know man it does get surreal and I know a lot of people look at it like wow, that’s that’s cool.


    There’s a lot of those and I hope that there will be a lot more.”



  • We visited number-one-selling songwriter and record producer Alina Smith (ITZY, Red Velvet, Fall Out Boy) in her home studio, to delve deeper into the process behind the production and mix of Bathing Suit, by her LYRE MUSIC GROUP counterpart, Elli Moore. 


    Taking us into the original Ableton session, Alina demonstrates the magnitude of creative possibilities that come from using your voice to create synth and pad sounds, unveiling the plugins she uses to bring these elements to life.


    WATCH FULL VIDEO



    TRANSCRIPT


    Hi, I’m Alina Smith, a writer and producer in LYRE Music Group and today I’m going to be showing you the production on Bathing Suit by Elli Moore.


    Okay, the first thing I want to point out here – this is a technique I use on every single song I produce. I have a pretty airy voice, and I use it as a pad quite a bit, so you can hear this here.


    I really advocate for people using their voices and their natural qualities to enhance their productions and h ere I basically stack several parts, to add a little bit of ‘oomph’ to this post-chorus.


    So I accomplish this very simply. Obviously starts with the voice. You have to sing, you know in a soft, airy way. I also use Valhalla Shimmer plugin by Valhalla DSP. It’s one of my favourites, it really does add a shimmer on top of the track. It’s very oddly named.


    And I use Center by Waves, which is one of my favourite plugins for vocals. It helps me get background vocals out of the way of the leads by spreading them to the side. This is what it sounds like without processing. As you can tell, quite dull, and this is it with it on. Big difference.


    Okay, another technique that I use, pretty much in every song, some people call this chants, I call this gangs. It can be like a ‘yeah’ ‘uh’ like a kind of a yell thing. Or it’s like chanty type of singing, like we have this hook here.


    So obviously, we’re trying to emphasise that ‘la la la’ hook and this is a really good way to do it. So the way I’ve accomplished this is the two of us are basically singing these gangs together in the room.


    There’s no auto-tune, the mic is pretty far away, like about this distance from us. And we’re just singing very kind of loosely, wildly, it doesn’t have to be too on pitch and too perfect because it’s tucked in under the lead vocal in the mix. This is what it sounds like without any processing.


    One of the things though, that makes these gangs for me is the processing. So I have this chain here that I just called ‘Dirty Gang’.


    It starts with Decapitator which is a saturation plugin, and then I will take away the lowest part of the frequency range and the highest part of the frequency range.


    Then I use my favourite plugin ever, which is Valhalla vintage verb I am known as the ‘Valhalla back girl’. And here I’m just adding a bit of this reverb, you know, a pretty high decay three seconds is pretty significant.


    And then we have Center which again spreads it a bit more to the sides . This is what it sounds like with all the processing on.


    To create the sound of multiple singers when you’re alone, you have to change the way you sing. You basically need to sing a melody and try to pretend you’re different people you can sing it in like a hooty kind of voice, you can sing very nasally, you can sing it in your normal type of range, type of voice and combining all of these different techniques will make it sound like a group.


    There is another technique I want to show you guys that also has to do with using your voice as an instrument. It’s basically singing and re-pitching to make almost like a synth part out of a voice. So I’ll play you guys this pre-chorus part of the song.


    So if you listen close, there is a part underneath here that is sort of this very high pitched, floating kind of vocal. This could have been accomplished with the synth, but I chose to just sing this in and process it in a way that makes it sound like this weird like processed synthy high thing.


    So I’ll play it solo’d. So obviously if you are an amazing singer and can sing this in whistle tone, you can do that. Most of us are not, so I sing this, I’m pretty sure an octave lower than this. And then what I did is just add reverb on top of it. So it’s very easy to do and quite fun the melodies you can get this way.


    We have really great mix and mastering engineers we work with. A lot of the time, the engineers will do the bulk of the work on their own. But we will get together with them on Zoom using LISTENTO and we will give notes and they can just in real time, fix those final tweaks for us.



  • We’ve all been there. Whether it’s down to overthinking or simply a lack of inspiration, lulls in creativity are extremely common in music production. However, they don’t have to be permanent. From taking regular breaks to setting schedules, we’ve compiled our tips for regaining and maintaining your creative momentum.


    #1: Search for inspiration in new places


    It can be extremely common to go through periods of feeling uninspired, which of course can lead to a lack of motivation when trying to produce new tracks. If this does happen, it can be a good idea to search for inspiration in new place.


    One example of this can be to expand the current music you are listening to. Most streaming services curate playlists filled with new artists and bands for you to discover.


    Trying new experiences outside of the digital realm can also have a positive impact. From meditation and running, to visiting a museum or watching an epic film, any of these sources may trigger newfound inspiration for your music-making.



    #2: Remember the reasons you started producing: 


    Whether that’s through listening to the tracks that first got you excited about music production or looking into your favourite producers and what they’re working on currently, taking the time to revisit your sources of inspiration may spark new ideas and get you excited about creating again.


    #3: Compare your mixes now to your mixes from a year ago 


    The saying ‘comparison is the thief of joy’ is true when you’re comparing yourself to others. However, comparing your current mixes to your mixes from when you first started or even from a year ago is the best way to remind yourself of how far you’ve come.


    A long break from an old track can also spark quick inspiration when you hear it again.  Often the ideas for improvement just seem to pop out instantly on the first listen-through.


    #4: Stop writing, start designing.


    Remember when you first got your hands on Massive or Serum? How about your favorite glitch plugin? New toys and sounds in your library are a surefire way to spark musical inspiration and get going on a new project.



    #5: Set a schedule and deadline


    It’s very easy to make an excuse by saying that you’ve run out of time to complete a track you’ve been working on. Sadly, if you don’t have some sort of routine with your music-making, then you’ll find it extremely hard to keep into the swing of it and to continually keep getting better. Simply setting aside an hour or two a day could greatly help with this, even if this does mean waking up slightly earlier each day!


    Once you are in the flow of this, start setting yourself a strict deadline. With strict, we mean it’s a final cut-off. No ifs or buts. You reach the deadline, you stop and it’s done. It’s amazing how much you can get done when you know you have no other option!


    #6: Make sure to move around


    We can all be guilty of spending hours upon hours in our studios without even coming out. Sometimes going out for a walk helps clear your mind and feed you new inspirational ideas and get a fresh perspective on your music.


    In our brand new series All-Star Mix Tricks, platinum-selling producer Teezio explains how paramount breaks are for him when mixing tracks: 


    “I take a lot of breaks when I’m mixing. I mix for like 10 to 15 minutes at a time and then I take a break. Your hearing over time, especially sat in front of these big speakers will start to dampen and you’ll start to make decisions based on how fried your hearing is. I think that taking breaks and allowing your ears to sort of open back up will allow you to make better decisions.”



    #7: Just Jam


    The pressure of wanting to create a new track can sometimes stunt creativity. So, decide to just jam a bit for fun. No pressure! Take an hour or so and get into jamming it for the sole purpose of having fun, not to create a track. However, it may be worth pressing record, as often this is where the best ideas can come from!


    #8: Collaborate


    Find a good producer and collaborate with them, even if they make music in a different genre to you! You may want to try and find someone on a forum or social media if you don’t know any producers in your circle of friends.


    Few things help get the creative juices flowing like another human being to work with. And don’t worry if they aren’t close by, with our LISTENTO plugin you can remotely collaborate wherever you are in the world. Start your two-day free trial here.



    #9: Learn a New Skill 


    Music production involves a lot of different skills. It’s an ongoing process of learning and unlearning. New skills in your producer skill stack will open up new possibilities when you produce. New possibilities lead to heightened musical inspiration in many areas of your workflow. So, it’s a good idea to add a new skill as often as you can.


    #10: Believe you can do it


    Although this may be our final point, it’s got to be one of the most important. You need to wake up and believe that you are good enough and you will create something today. Take it step-by-step and visualise your plan of attack and what you will accomplish with your music. 




  • Introducing: #DreamCollabs – a series where we chat with the world’s most esteemed producers, engineers and mixers about their dream musical collaborations. 


    #DreamCollabs uncovers the reasons behind these collaborations and why it’s essential to dream big, whether it be meeting their childhood music heroes, working with an emerging artist that excites them or collaborating with an artist whose sound has influenced the creative choices these industry powerhouses make. 


    In this first episode, we are joined by writer, producer, mixer and collaborator extraordinaire Matthew Genovese.


    Matthew Genovese’s dream collaborator is The 1975 and how similar musical influences, and a passion for balancing the qualities of both analog and digital music production has informed his pick.  


    Trust us we can already tell that this collaboration would be extraordinary. 



    WATCH FULL VIDEO




    TRANSCRIPT


    A dream collaboration – I would love to work with the 1975.


    I feel like we have a lot of similar influences. They even have the same console that I have, which is kind of rare. It’s one of the actually the big reasons I can’t send sessions back and forth to people is because they don’t have that and so that would work out.


    And I just feel like they would have a lot of fun in my studio with synths and instruments.


    Everybody has to be here because I have all the gear that I want here and I know how my room sounds and everything set up exactly how I want to work.


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