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Find your flow: 10 tips on how to stay motivated in music production
From taking regular breaks to setting schedules, we’ve compiled our tips for regaining and maintaining your creative momentum.
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Meet the Panelists: Igor Maxymenko | AES Convention 2022 | Is Remote Collaboration The Future of Music Production?
Introducing Audiomovers co-founder Igor Maxymenko.
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Audiomovers heading to AES Convention for live panel discussion: Is Remote Collaboration the Future of Music Production?
We are thrilled to announce we will be heading to this year’s Audio Engineering Society Convention in New York to host our very first live panel discussion, ‘Is Remote Collaboration the Future of Music Production?’
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Becoming an Abbey Road engineer with Andrew Dudman
A question many burgeoning sound engineers often wonder is “how do you become an Abbey Road engineer?” Abbey Road’s engineers are one of their most valuable assets, carrying with them a wealth of experience, passion and expertise. It takes many years of hard work and dedication to reach the standards of the legendary Abbey Road engineer, and is often claimed that it takes less time to become a brain surgeon.
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Audiomovers sponsor Season Three of music production podcast ‘The Record Process’
We are thrilled to announce that we are sponsoring Season Three of The Record Process.
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The gear behind Abbey Road Studios: Studio Two Echo Chamber
In 1947, artificial reverb as we know it today was born in a bathroom — Bill Putnam’s bathroom, to be exact. It provided an echo chamber effect for the Harmonicats’ recording of ‘Peg O’ My Heart’.
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Real Groove: The Princess of Pop’s plunge into remote recording
Grammy-nominated songwriter, producer and mix engineer Nico Stadi shares the story of Kylie Minogue’s escapade into the world of remote recording for her 15th studio album ‘Disco’.
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How remote recording saved Josh Groban’s dream album
Singer-songwriter and actor Josh Groban shares how he was able to bring his dream album ‘Harmony’ to life through remote collaboration.
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The gear behind Abbey Road Studios: EMI TG12345
In 1968, the introduction of eight-track recording and increasing sonic experimentation by The Beatles and other groundbreaking artists meant that the capabilities of Abbey Road Studios’ REDD.37 and REDD.51 consoles were being stretched. This called for a new desk. The name of the console was TG12345, with the TG being an acronym for The Gramophone Company.
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Tracking guitars remotely with LISTENTO
We caught up with songwriter and producer Jack Leonard (UNKLE, Baby Queen, Foxes) and Matthew Genovese to uncover their process for tracking guitars remotely using a combination of Zoom and Audiomovers’ LISTENTO.