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Meet the Panelists: Ariel Borujow | AES Convention 2022 | Is Remote Collaboration The Future of Music Production?
Introducing Grammy-winning mix/recording engineer Ariel Borjuow.
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The History of Remote Recording: Part Two
In part two we’re exploring the earliest live recordings of the US, and taking a closer look at two engineers in particular – Reice Hamel and Wally Heider.
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Meet the Panelists: Mirek Stiles | AES Convention 2022 | Is Remote Collaboration The Future of Music Production?
Introducing Abbey Road Studios’ head of audio products, Mirek Stiles.
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Meet the Panelists: Susan Rogers | AES Convention 2022 | Is Remote Collaboration The Future of Music Production?
Introducing Berklee Professor and Prince’s sound engineer Susan Rogers.
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Audiomovers heading to AES Convention for live panel discussion: Is Remote Collaboration the Future of Music Production?
We are thrilled to announce we will be heading to this year’s Audio Engineering Society Convention in New York to host our very first live panel discussion, ‘Is Remote Collaboration the Future of Music Production?’
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Becoming an Abbey Road engineer with Andrew Dudman
A question many burgeoning sound engineers often wonder is “how do you become an Abbey Road engineer?” Abbey Road’s engineers are one of their most valuable assets, carrying with them a wealth of experience, passion and expertise. It takes many years of hard work and dedication to reach the standards of the legendary Abbey Road engineer, and is often claimed that it takes less time to become a brain surgeon.
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Audiomovers sponsor Season Three of music production podcast ‘The Record Process’
We are thrilled to announce that we are sponsoring Season Three of The Record Process.
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The gear behind Abbey Road Studios: Studio Two Echo Chamber
In 1947, artificial reverb as we know it today was born in a bathroom — Bill Putnam’s bathroom, to be exact. It provided an echo chamber effect for the Harmonicats’ recording of ‘Peg O’ My Heart’.