Leadership, confidence, understanding, and most importantly, musical talent, are all must-have qualities for a producer.

Abbey Road has been cutting discs on-site since legendary engineer Alan Blumlein invented the custom cutting head in 1931.

The focal point of Abbey Road's mastering rooms is the EMI TG12410 console. The first solid-state consoles to be designed within EMI, they were custom built by EMI's research department in Hayes, Middlesex, beginning in the late ‘60s.

Senior Recording Engineer Andrew Dudman shares his tips for improving your mixing skills, how he would record a live band and his rules of thumb for compression.

We’re taking a look back at Abbey Road Studios and Music Tech’s series Ask Abbey Road, where the esteemed in-house engineers at the studios answered a variety of recording mixing and production-related questions. First up, Chris Bolster.

Stem mastering engineer at Abbey Road Studios Oli Morgan shares the secret final test he uses to ensure his mixes are release ready, whilst also helping to keep his hearing in check.

Head of Audio Products at Abbey Road Studios Mirek Stiles expresses the paramount importance of experimentation in music production.

An immense amount of innovation and development in the history of recorded music, and more significant to this piece, remote recording, has taken place in St Johns Wood, at No.3 Abbey Road.

Introducing Grammy-winning mix/recording engineer Ariel Borjuow.

Introducing Abbey Road Studios' head of audio products, Mirek Stiles.